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Un Tr​é​sor

by Charles Wesley

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1.
Tangente 02:48
Reality appears as a single block To navigate in front of me I refuse… And serpent in it Words mingling Into my steps  to alter In a moment pulled forward at any time  And we find detours  Preludes and other structures To Forget for a while  Ghosts of our life  In a soft cage  Dull as it might be  It Has to play with me   As another principle  To carry me in the sources  Of the detuned To find new harmony  To fragment the monolith  As open and available  As lying horizontal inside A stormy night  Pulses of air  On my wet skin A wind charged with rain’s sinking
2.
3.
Treasure 05:00
Treasure I feel trackless Is this my fate in the seamless Sunny day Tomorrow is already today Clouds appear and float but we ain’t tuned to them I feel trackless and maybe i look clueless But I’m not And maybe this is my treasure Could not imagine Those rubbed chords Could fit the light and the dark Of my solitude And maybe this is my treasure Rivers cross on a temporary isle A temporary isle Before evaporating And this is my treasure Redeeming and Filled with melancholia’s fuel Et ça c’est mon trésor
4.
In water’s shadow I bathe, in limbo My voice floats a bit hollow Extra diluted in digital I long for another picture or symbol And altered states 
In Odile’s perils The solitude fueled with hybridities The cyclope staring at the ever transitional The angel and the devil Hand in hand in dark charcoal In water’s shadow With a caring and curious eye Blindly inking
5.
licking the breeze that lies under debilitating noise reflecting on different forms of reality locked in the tangent alone all alone alienated
6.
7.
Wetter than the ocean Hotter than the sun Livelier than spring Softer than skin Brighter than light Dryer than sand Colder than ice Meaner than life Deeper than the abyss Better than this Heavier than earth Stronger than a birth Darker than death Larger than love Greater than above Slower than night
Faster than a star Further than here Looser than the breeze Prettier than the flower Harder than rock Noisier than the signal Higher than ever
8.
9.
It’s a luxury not to have to use words to tract your existence Not to have to survive the inaccurate projections on yourself  As its a blessing to merge with the veiled truth that’s always been there it’s bewildering and progressively immense  My voice that won’t pick a side  my body, a sea of binaries meeting in a question My curves can be feminine My body mass masculine  The way my hair fall on my head feminine The beard colonizing my cheeks masculine  No we won’t keep it easy for you They called me narcisse Not knowing his unbound loving  I only tried to figure out What I could be With a laugh piercing the unknown  Softly guided by a gritty energy Incorporating the edges  Resulting in a scream Pouring into a dream They had nothing to look for really There'd be no question, while I had a ton At all odds, an unconditional joy, a mystery discovering itself Now I want a love hitting like dawn And the cold pull into the unknown to feel warm

about

Là où le précèdent album de Charles Wesley, Ceaseless; At my Expanse (2023), se ravissait d’une versatilité rythmique et humorale, Un Trésor, entre l'abysse et le 'Zenithal Kiss', fonctionne davantage comme un environnement fréquenciel émanant d'états mercuriels.

Les frottements, vibrations et résonances se destinent à ouvrir des brèches lumineuses dans la stasis : il s'agit de se tenir devant elles, notamment sur les deux reprises du morceau « Play Me A Tape » (2008) de Kittin.

Le trésor en question, ce sont ces sons surement, que Charles habite avec ses mots, sa voix tapissant les parois transformatives de la stéréo.



Charles Wesley's previous album, Ceaseless; At my Expanse (2023), delighted with rhythmic and humoral versatility. Un Trésor, between the abyss and the 'Zenithal Kiss', works more as a frequency based environment formed out of mercurial states.

The frictions, vibrations, and resonances are intended to open luminous breaches while experiencing stasis, notably with the two covers of the song “Play Me A Tape” (2008) by Kittin.

The treasure in question might be the sounds, which Charles inhabits with his words, his voice lining the transformative potential of the stereo.

credits

released March 5, 2024

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about

Charles Wesley Lyon, France

Charles Wesley’s a recorder, composer, poet, and photographer.

Influenced by pop and industrial music, he carves his own sonics to pull the strings of his queer identity in an age of global exhaustion. Spoken words and chants resonate in environments to celebrate love in growing beyond the status quo.

There’s some desolation clanging to his sound, still it cries out clear and euphoric.
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